Yashica Mat

So here's the big reveal: a new (old) camera (pardon the blurry low-light macro shot)!

camera

This is a Twin Lens Reflex camera with the top lens for the viewfinder and the bottom for the picture. It shoots medium format (120) film creating 6x6 cm negatives. The results, assuming this thing works, would be like going from watching TV on basic cable to watching it in high definition. So here I go with the true square format, and I should have my results back by the end of the week - but they're only being processed, not scanned. If they actually turned out alright, then I plan to have the negative strip scanned to CD so I can post some frames on the web. Here's hoping, because this has the potential to really kick up the clarity and detail of my pictures...

I'll spare everybody the gory details on the camera such as the specs and such, but if anyone's curious, I'd be happy to entertain any questions about the TLR in the comments.

Luxury Subs

Taking conspicuous consumption to new...ahem..depths, U.S. Submarines manufactures submersible watercraft for the ridiculously wealthy. Check out the Phoenix 1000:

luxury submarine

For a cool 78 million clams, you could have your very own. Torpedoes not included (I think...).

Closer than it really is...

Michael Grunwald's Time article about McCain spends most of its time discussing the long odds against the Arizona senator in the 2008 presidential election. His last paragraph really resonated with me, however:

That doesn't mean that anything's probable. The media will try to preserve the illusion of a toss-up; you'll keep seeing "Obama Leads, But Voters Have Concerns" headlines. But when Democrats are winning blood-red congressional districts in Mississippi and Louisiana, when the Republican president is down to 28 percent, when the economy is tanking and world affairs keep breaking Obama's way, it shouldn't be heresy to recognize that McCain needs an improbable series of breaks. Analysts get paid to analyze, and cable news has airtime to fill, so pundits have an incentive to make politics seem complicated. In the end, though, it's usually pretty simple. Everyone seems to agree that 2008 is a change election. Which of these guys looks like change?


This explains almost exactly (though not entirely) how I feel about the media's approach to this election cycle. Could it really be a close race? Maybe. But if it wasn't you'd hardly know. Remember when it was practically fact that Obama had knocked Clinton out of the primary race, but the media still clung to every last vote as if there was some chance Hillary would find a way?

I think Grunwald's right - unless there's some dramatic mistake or world event or who knows what else, this election looks pretty locked up for the junior senator from Illinois. But a done-deal doesn't make for good ratings or page views or sales of those dreadfully partisan books (from both sides) you see in the center tables at Barnes and Noble during election season.
(via Gruber)

Hit and Red

Peep it - a totally sweet animated video for a blippy electronic club piece:

[vimeo http://www.vimeo.com/1154958 w=580&h=326]
Ghislain Poirier - Hit & Red (official) from departement on Vimeo.

"Hit and Red" comes from Montreal musician Ghislain Poirier who seems to specialize in bumpin' beets.

Art, Creativity, and Me

From the get-go, by the title alone, this is a very introspective and selfish piece of writing. For that, despite the personal nature of this website, I apologize.

I've been trying to sort out my thoughts on creative processes for some time now, and I've particularly attempted to reconcile my perceived creative impotence with the strong creative urges I feel. Well I can tell you now that I still haven't sorted out said thoughts, but I figured starting some writing on the topic would be as good a springboard as any to get some of these ideas out of my head. At least after this I can look back on what I wrote and start to filter through that which sounds inane, unclear, or nonsensical and refine my understanding. Here I go, diving right in.

From my earliest memories (hinted at in some earlier posts, no doubt) there's been this great struggle in my mind between the left and right brain, the creative and the academic. By the age of four I was building Lego objects, and identifying dinosaurs by their right names at the Museum of Natural History in Manhattan. As I continued through childhood I could just as likely be found drawing aircraft and cartoons as watching Mr. Wizard. It wasn't until I was in the middle of high school that I felt I might need to choose between the two sides of my personality (an errant notion, to be sure, but what I thought none-the-less). I figured I could keep my creative inclinations as hobbies while I pursued more "practical" roads in the sciences, so by my junior year I decided engineering was where I was headed.

From the start, though, I stuck with right-brained activities in college. I may have abandoned drawing at this point, but I still played guitar and had recently discovered an affinity for singing. Though I changed majors to information systems halfway through school, I kept playing music, and my introduction to Valerie (before she was Mrs. Warshaw) also opened my eyes to the beauty of architecture, design, handcraft, modern art, and so much of the visual spectrum I'd missed out on. By the time I'd graduated and entered the work force, a great deal of my attention was absorbed by the products of artistic expression, be it theater, painting, music, or furniture design.

But something still felt like it was missing...

You see, participating in artistic pursuits doesn't equal creativity. The ability to play the guitar is not the same as the ability to write music forthe guitar. Appreciation for photography is not the same as having an eye for visual composition. Now a new layer of complexity had come into focus for my artistic frustration. I not only wanted to be immersed in the world of creativity; I wanted to create.

The problem is, as I see it, my lack of real creative ability - at least so far. My attempts to realize songs or lyrics failed miserably in the form of cheesy rhyme schemes and trite chord progressions. My feeble adventures trying to return to pencil drawing did little more than to remind me of the chasm that separated my skill from real talent. Now I play at photography, but I have yet to see how that plays out. We'll see. I still haven't taken any pictures that mean anything. Most of my work to date may as well be snap shots taken with a quality lens.

All of this makes me wonder what it is that develops into expressive ability within artists of various types. Is it poverty? Hardship? Mental instability? I've had a pretty easy life, so perhaps...No, certainly it's no list of causes so simple, but it's tempting for me to associate artistic greatness with suffering or heartache.

The funny thing to me is how this post itself serves as evidence to my point. You see, I'd intended to somehow connect my creative tendency with my history and my experience of certain art forms, but instead I've spent half the writing on my formative years and self-consciously abbreviated the real crux of what I wanted to say. At least I can say that prose was never one of those creative pursuits which I, well, pursued.

Anyway, I've written over 700 words already - far longer than my average post - so I'm sure many of my readers have lost interest by now. At any rate, I'll never give up my search for real artistic experience, and if I'm lucky, some of it may be my own.

Blogging the Class: Week 8

After tonight, I'm officially bummed out about this class. Don't get me wrong, the darkroom time has been great, and still is. And tonight I actually received some useful photographic advice from the teacher, but it was after I initiated a discussion. It wasn't general instruction for the class.

There were only four of us students tonight, and I was one of only two who'd bothered to have fresh negatives. So while I spent much of the session making some prints (after a contact sheet, of course), the other students mostly played around with photograms and rudimentary solarization. The teacher sat outside the darkroom reading a book.

No assignment (no surprise), but we're apparently to look out for an email from the instructor tomorrow. Two Mondays left, and I can put this half-waste of a class behind me and start looking forward to the spring when I hope to take an intermediate class somewhere.

On the way?

I have something potentially very cool on the way to me, and I think it could be here by the end of this week.

And for the two of you who know what I'm talking about, keep yer collective trap shut :-)

Ack! A gun on a movie screen!

Oi...as if the MPAA wasn't stupid enough.

A Short Love Story in Stop Motion

[vimeo http://www.vimeo.com/877053 w=580&h=326]
A SHORT LOVE STORY IN STOP MOTION from Carlos Lascano on Vimeo.

This glorious animated short not only features one of my favorite Sigur Rós songs (Takk...'s "Hoppípolla"), but highlights a sweet blend of traditional stop-motion handicraft and digital artistry. Carlos Lascano describes the process (and is gracious enough to include photos) on his website.


Shaken, and stirring.

Jason Santa Maria's latest post is about the passing of physical media generally, and the impending discontinuation of instant film by Polaroid specifically. His writing makes me feel at once nostalgic, defiant, and sad at the same time as I consider what, beyond the physically-generated records of the visual, will be lost to the march of technology. Along with the coming loss of analog photographic imagery we'll inevitably see a fading away of the equally artistic processes required to develop negatives and create prints.

I'm no Luddite (and in fact, I'm a gadget freak), but part of me will be sad to see the eventual disappearance of the tangible implements of photography, an art form (in its practical incarnation) younger than these United States.

Watchmen: Trailer

Holy sweet MERCY, stop what you're doing and go watch the trailer for Watchmen RIGHT NOW.

The Force is strong with this iPhone.

When I have an iPhone (a little later this year), I already know one program I'm going to buy for it...CHECK IT:

http://blip.tv/play/ih_CzAGJ5FQ

Star Wars: The Force Unleashed comes out for the iPhone in September, apparently, and it looks hawt.
(via TUAW)

Blank

I'm pretty sure this is in response to the over-blown media noise-making about the recent cover illustration, but even if it's not, yesterday's totally safe animation from The New Yorker is hilarious.

A Terminator movie worth watching?

I just caught the teaser for Terminator: Salvation on Yahoo!'s movie page, and I have to say, I'm actually intrigued. Christian Bale plays John Connor, and after serious awesomeness in Batman Begins, The Prestige, and most likely The Dark Knight, I take this as a good sign.

Of course McG, the director, has some pretty nasty stains on his resume, so we'll have to see how it shapes up over the next year as more details are revealed...

Tweeting Legislation?

It turns out that as politicians continue to crawl their way into the land of 21st-Century technology, Congress must consider the proper use of communication media like Twitter...

Slippery Italian Slope

Many folks close to me know my obsession with many things Italian. While I'm only one quarter Sicilian, the prominence of my full-blood grandmother in my upbringing and the associated happy memories have fostered a deep love for the food, language, culture, and country of Italy.

But lately, I'm kinda pissed at the Italian government.

You see, it seems that they're performing a fingerprint census of all Roma (or Gypsy) people in their country - including the 90% which claim Italian citizenship - in an effort to "crack down on crime." This fingerprinting includes Roma children, but doesn't include any non-Roma Italians (sounds confusing, but this doesn't refer to residents of Rome).

I hope this sounds as obviously horrific to readers as it did to me and many in Italy's population. This is terribly similar in concept to how Germany treated Jews leading up to WWII; blame a minority ethnic group for societal woes (in Italy's case, theft and such) and set them apart, treating them differently than the rest of the population. That certainly snowballed into one of the greatest human tragedies in history.

Thankfully this isn't the 1930's, and the European Union took notice early on, so I don't foresee any larger-scale escalation without the intervention of the international community. There are currently political efforts within Italy and without to stop this practice, and I hope it picks up steam.

Blogging the Class: Week 7

I'm starting to sense a pattern in this, the latter half of my photography class. Darkroom, darkroom, and more darkroom, with little in the form of instruction. I'll not repeat what I've said the past two weeks, so here's what I did tonight:

I focused on trying to get the best out of one particular image. I took my recently posted duck photograph and made three prints, two of which involved the technique of burning. Burning involves using a piece of opaque material (cardboard in my case) with a small hole cut out, moved around over the photo paper to expose only a desired portion of the image. On one image, for example, I exposed the whole image for 38 seconds with the aperture on the enlarger set to f11. Then I burned in the body of the duck for an additional 25 seconds in an attempt to coax more detail out of the feathers.

After all that, I think I have my first image worth putting in a frame :-)

Anyway, still no assignment (now three weeks in a row), so I'll try to finish up my self-imposed experiment of photographing total strangers looking at or toward the camera.

Dan in Fake Life

Dan in Real Life is a study in discomfort. In a movie filled with in-your-face metaphors and too-clever script contrivances, my main beef is the lengths to which this film goes to perpetuate an unrealistic and horribly tense family situation. Sure, there's decent acting, some good camera work, some touching family moments...but it's all over shadowed by the overwrought slow-motion train wreck that you can see from an hour away.

Two out of five.

And it's funny because it involves poo!

Why don't we have Mitchell and Webb broadcast in the United States? These guys are freaking hilarious.

[youtube https://www.youtube.com/watch?v=wqnD6umhOGw&hl=en&fs=1&w=580&h=485]

Baman Piderman

You can thank me later for laughing your head off this Friday morning:

[youtube https://www.youtube.com/watch?v=u1YJbCftjBI&w=580&h=485]
(via trey)

Albums of the [Past] Year

The Morning News has an interesting feature on their site titled, simply, "Albums of the Year." The distinguishing factor, here, is that these lists cover years gone by, such as yesterday's "The Top Albums of 1989."

There are sample MP3s for each album listed along with commentary.

CACHE

[vimeo http://www.vimeo.com/1028035 w=580&h=326]
CACHE . 35mm short . from isiah flores on Vimeo.

I don't know how I let this slip by, but either way, Cache is the most recent short from Isiah Flores. I wish it was a little longer, but I still love the filming and the choice of shots. Penelope Allyn Collins deserves as much credit for writing, directing, editing, and of course, acting.

Duck!

white duck

Six new shots for your viewing pleasure, showing off the glories of Fuji Neopan 100-speed film.

Art, Clearly

I dream of an art so transparent that you can look through and see the world


-- The late poet Stanley Kunitz, quoted on a wall in the Visual Arts Center of Richmond.

Thsrs

David Friedman over at Ironic Sans has turned one of his great ideas into a reality with Thsrs.

Thsrs is a simple (on the surface) web application which attempts to do for words what services such as TinyURL do for hyperlinks, providing shorter synonyms to help folks keep Twitter messages at or under 140 characters. Sure, it's a niche app, and likely only to be used by those few tweeters who stretch the bounds of their alloted message space. But it's creative thinking like this that moves the internet forward.

It's still in its infancy, so it's not perfect, but it's a sweet idea for now.