Okay, so sometimes its not just a 3 dollar word that pops into my head. Sometimes its a song from 24 years ago. The video is unremarkable (though the kids are adorable), but the song still rocks pretty hard. I feel like '96 was one of the last good years for "alternative" rock before it ceased to be an alternative to anything.
I’ve been watching Ted Lasso (have you been watching Ted Lasso? You should be watching Ted Lasso) recently and at the beginning of an episode I watched last night, the titular Lasso gets hung up on the word "plan". After he says the word a few too many times he feels like it starts to lose its meaning. When he asks his friend/assistant coach about his experience, he’s reminded that it’s called "semantic satiation", whereby a repeated word becomes abstract noise to a listener.
I'm always here for nerdy, linguistic trivia thrown into the middle of my emotional sports comedies.
It’s week 2 of virtual schooling for my second grader in Richmond, Virginia. There's a lot of bubbling consternation among the parents of kids in my daughter's class. Whether it’s the length of the day or the frustration with certain assignments, folks have a lot to say. I don't think it’s perfect by any stretch, and my child's teacher is the source of some issues (extreme technology deficit at the top of the list), but I'm still cautiously optimistic. Every day the students improve their mute button etiquette. The teacher finds clever ways around her own technological limitations. The students respond to and engage in the classwork. I'm super lucky to have had my daughter tell me this morning that she likes her teacher, and she has been generally positive on the experience so far. We're privileged in that regard, and I recognize that many students may be struggling along with their teachers for a variety of reasons (different needs, home/care center environments, etc.).
I have a hypothesis, however. I think a new and terrible source of anxiety for parents is our sudden and complete view into our children's school day. Last year, like every year before, we sent our kids to school and hoped to get a few sentences out of them about their day when they returned in the afternoon. We didn't witness the teacher's instruction or see any classwork until the results came home. We haven't been in the classrooms witnessing challenges, disruptions, and any other issues that might surface.
Except now we are. Or at least folks like my wife and me who are largely white and/or privileged. Folks like us who have the money/time/job flexibility to have one or more parents working from home, lending assistance to our kids while they learn remotely. I don't think it’s a coincidence that our superintendent has received most of his feedback on the schedule from parents in the West End and Northside, home to most of the white families in system, with typically higher incomes. I don't presume that there are no issues for students in other parts of town, but most of the vocal frustration of schedule and operation isn't coming from the Southside or East End.
Did you have great teachers/school years throughout your entire education? If you did, you’re super lucky and I envy you. When I think back on my own second grade year I recall the very worst teacher of my primary education. She was actively hostile toward me (though I never shut up…)! My daughter's learning circumstances are not ideal because, well, GESTURES BROADLY, but her teacher is fine. She'll be fine.
I'm sympathetic to the parents and children that are dealing with real educational, emotional, neurological, social, or other issues in this situation. Every accommodation should be made to ensure equitable education for all students across socioeconomic strata and different levels of ability. But that’s not most of the families. I think a great deal of parents could benefit from weaning themselves off of active monitoring of their kids' virtual school days. Our kids are smart! Let's back away (at a reasonable pace) and let them develop self-sufficiency. Perhaps our collective blood pressure will lower.
Today is a return to school, such as it is. My daughter attends a school district that is 100% virtual through at least the first half of the school year. My son is starting pre-kindergarten and does NOT want to listen to what his mom or me tell him. So in the best interest of both of them, we’ve taken the calculated risk of sending him back to his in-person school for pre-k. The faculty and staff at his school are great about wearing masks, and the drop-off/pick-up protocol is terrific. But it’s still a bunch of little kids who won't be able to stay apart because they're four years old.
His absence from the house, however, will allow our second grader the peace, quiet, and brain space to focus on this weird new virtual schooling world. She loves to learn, actually enjoys reading, math, and science, so we hope that the quiet in our hose allows her to adjust while my wife and I get to our own work. We’ll see...
Sunset at Atlantic Beach taken with a dang iPhone using Halide for the RAW, edited in Lightroom Mobile, and exported to JPG.
Tomorrow is my daughter’s 7th birthday and, in these damnable corona-times, that means no party or even a hangout with her friends. Call it overcompensating, call it one last hurrah for the summer, but we decided to take a short family trip to the beach for the occasion.
Takeout dining and easy outdoor social distancing at the beach make this a lower-risk trip, or at least that’s how I’m rationalizing it. Either way, the change in scenery and the smell of the ocean ought to be good for us all before diving into virtual schooling on Tuesday.
My friend Trey shared a screen grab from the HBO series Lovecraft Country in a photography-oriented Slack channel. He wondered what type of camera was used by one of the lead characters. I have not seen the series (never been an HBO subscriber), but I'm given to understand photography plays an important part in the show.
I was told the show takes place in the 1950s, and I figured the production designers were likely to have used an American (or at least American branded) camera. Ansco? Argus? Kodak? I zoomed in a bit to get some more details...
Yeah, I know that’s fairly pixellated, but there are a number of useful details I could pickup from that crop:
It’s a "folding" camera; the whole thing doesn't fold, but there's a door that opens (under her fingers) and the lens pops out on bellows.
There's a cable running from the flash to the lens at the bottom.
There's a little black semicircle on the right side of the lens barrel.
There's a knob/winding dial of sorts at the top of the camera body, and it’s not very thick.
You can see a small viewfinder window above the lens, part of a solid top plate of the camera.
You can also see some kind of metal and textured protrusion on the far right edge of the camera.
All of those factors and the ever helpful Camera-Wiki.org led me to the Retina Ia, a camera manufactured in Germany for Kodak AG starting in 1951. Moreover, the camera in the TV show is most likely using one of the 50mm f/3.5 lenses based on the black ring around the lens opening, as opposed to the 50mm f/2.8 pictured at the top of this post. Obsessive nerd success!
If the season wraps up with continued plaudits, I'll see about watching some episodes. I can't help but want to check out a show that pays such homage to greats like Gordon Parks while making photography itself an important element of the show.
When he wants to get real chill he’s CBD Grey. When he shops for knives on TV at 3 AM, he’s QVC Grey. When it's Halloween he’s Heebie-Jeebies Grey. When he buys underwear rep'd by Telly Savalas, he’s BVD Grey. When he makes a clear logical argument he’s Q.E.D. Grey.
I got kicked out of bed at 6:20 this morning by my four-year-old, so I went to sit on the toilet and catch up on Twitter for a few minutes. Then my almost-seven-year-old walks in on me in the bathroom and immediately launches into a hypothesis: "I have a guess. I think that centipedes are arachnids because they have more than 6 legs."
"That’s a good guess," I say, "but almost all arachnids have specifically 8 legs." So I looked up what centipedes are (Chilopoda) and we had a nice little chat about it (all while I'm still on the toilet, naturally). Then I found myself in a Wikipedia rabbit hole looking up the related classes under the sub-phylum Myriapoda ("10,000 feet"), including millipedes and such. That included such nifty little buds like the pill millipede in the photograph above. No, those aren’t pill bugs, but are so named because of the resemblance. True pill bugs, oddly enough, are land crustaceans! But that’s a rabbit hole for another morning on the toilet.
Just a few photos and such from the past couple of weeks. I don't usually do cloud photos or anything, but I couldn't help it with the shot above; they were so goofy and layered, and the sky was so brilliantly blue behind them.
Concerns have subsided a bit for contracting COVID-19 from surfaces, so for the first time since March, my family went to a playground. We picked one that was mostly empty, and left after more than a few other people showed up but, for about 40 minutes, it was a real treat to see how happy my kids were to climb and swing once again.
Since the start of the pandemic, my time to go out and take pictures has plummeted. I'm wary of spaces with other people, and I just don't have the freedom I used to; the kids are home with us all the time.
Shortly before the pandemic, however, both of my kids started taking a real interest in LEGO. I played with LEGO almost exclusively as a child but essentially stopped by the time I was a teenager. Now, however, the kids' interest plus my lack of non-screen hobbies means I'm spending time digging through containers full of bricks all over again.
Lucky for me, LEGO has been producing kits geared toward advanced builders and adults for years now, so it’s been easy to find challenging and rewarding sets just for me. I’ve so far assembled a classic car, a historic Swiss locomotive, and the above pictured Ducati sport bike. Not only is it fun to put these together at the table while my kids build their own stuff; LEGO kit designs have seriously improved since my youth. Carefully thought-out sub-assemblies mate satisfyingly with the main structure, and the pendulum seems to have swung back toward building components rather than a reliance on custom, set-specific pieces.
Pretty sure this will finally be the year of a train around the Christmas tree. And it'll be made out of LEGO bricks.
My weird brain is at it again. I think I heard the words "cool house" from some show my kids were watching. A few misfiring neurons later and I had "Rem Koolhaus" in my head. Was he a painter? Like a Dutch Master or some such? That sure sounded familiar, so off to Google where I found out my spelling (and pronunciation) were off. Rem Koolhaas is absolutely Dutch but is, in fact, a living architect. There's a good chance you’ve at least seen photos of his CCTV Headquarters, Seattle Central Library, or Casa da Musica.
More days than not some word pops up in my head and floats around until I look it up. It’s usually something I heard or learned about long enough ago to forget what it means, but I always find it satisfying to learn it all over again. I’ve re-learned the difference between parsimonious (stingy with money) and pusillanimous (timid) at least 3 times.
Today I had "Marbury v. Madison" poking me in the brain right out of bed. What the hell is that? I was pretty sure it was one of those Supreme Court of the United States cases that I learned about in high school government class, and 2 seconds of research confirmed it.
Perhaps the most depressing thing I learned working on a graduate business degree was the extent to which businesses worship metrics. Numerical measurements of whatever. And I get it - running a business carries risk, managers want certainty, and qualitative study doesn't give you the information you can extrapolate into projections for the next quarter.
But in the years during and since my studies, I’ve become increasingly aware of the ways in which quantitative measures seem to trump any other reason for determining success. This isn't always bad, but the preference for a number seems to lead to reductive conclusions about otherwise subjective experiences or results. I wish people would prod further and dig into subjective and qualitative findings rather than trying to convert everything to a number that can be charted and tracked by trendiness and measures of central tendency.
Lately it’s been difficult to think about posting sentimental family photos and random stuff to the internet in the face of unrelenting tragedy and political horrors. But what the hell. I'm stuck at home, you (if you’re American and responsible) are stuck at home. And I need an outlet. So here's just a random assortment of a few things that made me happy from the past month.
I did, of course, make it down to what citizens have reclaimed as Marcus-David Peters Circle to see the fresh context all over the Lee statue's pedestal. I love what Richmonder's have done with the space to make it more welcoming and inclusive than the Commonwealth has ever done.My son Wilson stuck an adhesive foam star over his eye and ran into the room declaring, "I'm a rock star, Daddy!"And this is, well...this is just a frog warming up on the side of my mother-in-law's house in Leland, NC. I don't know what kind of frog, but my kids discovered it, and I managed to get waaaaaay up close to get a mug shot.
That’s really all I have for now. A scattershot summary of the past month by way of a reductive collection of smartphone pics.
It never takes long for white folks and business to squeeze themselves in the middle of black suffering and response, whether it’s to co-opt the tone-direction of demonstrations, or to cash in on public sentiment.
But to see photos of Nationwide and State Farm setting up tents by the Lee Monument today? That’s surely one of the most crass displays of corporate opportunism I’ve seen in years.
Never not going to love shooting Fuji Provia 100F in medium format. As much as Fujifilm has reduced its film portfolio in the last decade or so, I'm continually surprised to see this one stick around.
I'm beguiled by the contrast, and the way the color rendition seems to be at once lifelike and saturated. It’s no Kodachrome (RIP), but it sure is a beaut.
I'm still working on putting some Kodak E100 mileage on my RZ67, and I like how it looks so far. But for the time being Provia remains at the top of my color film list.
This was SO MUCH FUN, and next year I plan to actually have some FP4 on hand (one of my favorite B&W films anyway) to participate in Emulsive's FP4 Party.
I learned about FP4 Party from Jess Hobbs' YouTube channel, and some friends of mine and I started talking about it. Not all of us had FP4 on hand, and March had already just started. But we reworked it to suit our circumstances and decided to make it about whatever ISO 400 black & white film we each had in our respective inventories.
First week was shooting as much film as we could, second week was for processing, and the rest of the month for reviewing our results. I got my 3 process rolls of medium format film in the mail yesterday and got to scanning. These are the first results!
All of my 3 rolls were 10-year-expired Fujifilm Neopan 400 in 120 format, shot on my Mamiya RZ67. When Fuji discontinued the film stock, I bought a ton of rolls to keep in the freezer so I could extend the magic a little longer. I am SHOCKED at how beautiful this film looks after so many years. It reminds me why I loved it so much in the first place. I can't wait to scan the rest of the film and see what I got!
This is something that I feel like could have made an interesting topic for PBS Idea Channel, assuming it has any legs: a lot of entertainment from Generation X explores the effects of paternal absenteeism, while entertainment for millennials explores and or celebrates the notion of the chosen or assembled family.
I was spacing out in my dentist's office lobby the other day unconsciously bobbing my head to the quiet assortment of songs playing over the sound system when a very familiar minor 7th chord shook me out of my reverie:
Jump to around 3:09-ish if the video doesn't start there.
Yeah, that’s right, turns out this is the famous bit sampled (and pitched down) in Biggie's "Hypnotize". Maybe I'm one of like, 5 people who didn't know that, but it was fun connecting the sampling dots between a jazzy hit from the 70s and a modern hip hop classic.
Valerie and I were lucky enough to catch Kehinde Wiley's "Rumors of War" in Times Square back in October before it came to its permanent home in our very own RVA.
Shot on expired (discontinued) Fuji Neopan 400 in 120, pushed 2 stops to ISO 1600.
My wife and I visited NYC in October and got to experience one of those seemingly only-in-New-York sort of moments: listening to Colin Huggins play his piano in Washington Square Park. It felt pretty magical.
Valerie and I took a weekend in NYC this past October in celebration of our 15th wedding anniversary. I grew up in the shadow of New York, but despite uncountable visits, I’d never walked across the Brooklyn Bridge until this visit. It was worth it, and an absolute treat. These photos were shot on expired (and discontinued) Fuji Neopan 400 film in medium format size on my Hasselblad 500 C/M.
Wind turbines sitting idle in the fields of Jasper County, IN, near Wolcott. Shot with Kodak Portra 160 using a 1994 Hasselblad 500 C/M.
Twice, now, my family has made the drive from Richmond, VA, to Wauwatosa, WI. On the way up we drive through a massive wind farm in Jasper County, IN. My jaw drops and I squeal like a little kid with wonder at these behemoths. So this summer I finally stopped on the way back and took some photos.
I’d rather have these around than coal power plants, but I caught some interesting anecdotes from a gas station clerk. He told me that if you stand near the base of these massive towers, you get nauseated because of the low-frequency resonance of the blades passing by, or something like that. I want to verify that for myself, but sounds like I should be glad I kept a healthy distance :-D
He also told me that, while the land owners get healthy payments for leasing the land, the whole character of the countryside has changed. Not because of the giant propellers themselves, however; he talked about how it used to be pitch dark at night, and you could easily see the stars. Now there were fields bursting with these turbines, each with bright red strobes to warn off aircraft. And they all seemed to flash in synchronization, creating a night full of endless flashing from black to red.
My daughter and I invented a little game this afternoon that gave us some good laughs for a solid half hour. We call it "Improv Dictionary", and we basically take turns with one person making up a word and the other making up its definition. She’s six years old now, but I immediately started thinking about playing this as she get older and more capable with her writing or computer skills. We could actually start cataloging the words we make up into a document or little notepad so we can remember what we’ve done before - a real sort of silly dictionary of our own.