Hit and Red

Peep it - a totally sweet animated video for a blippy electronic club piece:

[vimeo http://www.vimeo.com/1154958 w=580&h=326]
Ghislain Poirier - Hit & Red (official) from departement on Vimeo.

"Hit and Red" comes from Montreal musician Ghislain Poirier who seems to specialize in bumpin' beets.

Watchmen: Trailer

Holy sweet MERCY, stop what you're doing and go watch the trailer for Watchmen RIGHT NOW.

Exit Music for Chopin

[youtube https://www.youtube.com/watch?v=0X-PRpqj7N4&hl=en&w=580&h=485]

Jack Conte's version of Radiohead's Exit Music (For a Film) is not only a superb example of a cover, but a very clever arrangement as well which is available for download.

(via Shaun Inman)

Big Ideas (Don't get any)

This is probably one of the most clever song covers I've seen. Old electronics used to play "Nude" from Radiohead:

[vimeo http://www.vimeo.com/1109226 w=580&h=326]
Big Ideas (Don't get any) from 1030 on Vimeo.

(via kottke)

Woe is Weezer

Today Weezer released their third self-titled album (the so-called "Red Album"). I decided it'd be quicker, considering my busy after-work errand schedule, to simply hit the 30-second samples on iTunes.

Yup. They still suck hard. Probably harder, in fact.

Steven Hyden over at The A.V. Club sums it up for is:

The breathtakingly stupid Weezer begs the question: Is this for real? Or are the over-processed hooks and lobotomized lyrics intentional self-parody? When Rivers Cuomo sings, "So turn off the TV, 'cause that's what others see, and movies are as bad as eating chocolate ice cream," is he a comic genius feigning creative bankruptcy?

Beck + Danger Mouse = Awesome Sauce?

So a little further prodding provided me with a bit more detail on Beck's next release. It seems that:
1. The new album may (or may not?) be called Modern Guilt, and may (or may not?) release in June.
2. Danger Mouse (the non-singing half of Gnarles Barkley) may be responsible for much of the delicious sound.
3. This is Beck's last major-label contract album. I can't wait to see what he does after this...

Sweet Mother of Mighty Music!

As if I didn't already love The A.V. Club, I just read happy news on their site about upcoming albums from two musical acts which I dig.

Apparently Sigur Ros is dropping a new album on June 24th, and - this one really has me pumped - BECK is expected to release a new album soon with his new track, "Chemtrails," already streamable on his website (and it's an awesome song).

This could be a great summer for my music collection...

Vitamin Records

On this past weekend's episode of This American Life (the radio program) I caught two string quartet arrangements of some Led Zeppelin music - "Stairway to Heaven" and "Dazed and Confused" - so, naturally, I had to find out who performed the songs.

It turns out to be a group called The Vitamin String Quartet, which is part of the larger Vitamin Records. Now Vitamin is an oddity...they seem exclusively to pump out reimaginings of popular music in alternate genres, such as the "String Quartet to Led Zeppelin" (containing the aforementioned songs) and "The Lounge Tribute to Eminem: Chocolate on the Inside."

I'm conflicted about how to react to all of this.

On one hand, some of the arrangements on their products are very clever, and even enjoyable listens. On the other hand, these albums are pretty much in the same music-industrial flatus category of albums as "Now That's What I Call Music." I mean, c'mon! Do we really need an album full of new-agey U2 covers? This is the stuff hold music and grocery store white noise is made of.

Tetris Blows

Pure awesome sauce. Enjoy.

[youtube https://www.youtube.com/watch?v=GkDBlEvfbgg&w=580&h=485]
(via Kamen Lee)

Pork and Beans and Everything Else

Okay, so Weezer has fallen out of my favor because of everything they've spewed from the Green Album forward, but this video is actually pretty sweet - a sort-of YouTube retrospective of the last several years:

[youtube https://www.youtube.com/watch?v=muP9eH2p2PI&w=580&h=485]
(via Adam and Jeremy)

Hang Ten

Below is musician Manu Delago playing an instrument called the Hang...

[youtube https://www.youtube.com/watch?v=TQXn5ba0aT8&hl=en&w=580&h=485]

This instrument is a fairly recent development by Swiss makers in 2000, and seems most commonly to be played with hands or other percussive implements.

Leo Kottke: Live at The National Theater

Having just returned from tonight's show, I'm blown away both by the musicianship I witnessed and the venue in which it took place. This was my first show at The National Theater as well as my first Leo Kottke concert, and now I wish I'd seen both sooner.

Now I've heard plenty of Kottke's music before - both from friends/relatives, and on Radioparadise - but witnessing his handwork (both on the fretboard and picking) was a sight to behold. The stage was set nearly blank with a leather chair and his bare essential equipment. When he came on stage, he fumbled awkwardly with the microphone before starting, and moved right into his incredible music. The performance was peppered throughout with anecdotes ranging from snowbanks to early girlfriends and even ants with oddly-placed eyes. I found Kottke equally funny as he was musically brilliant, and his stories carried the audience from one beautiful song to the next.

The National Theater itself is a wonderful concert hall with a nice clear sound system and spot-on lighting. It was large enough to accommodate a crowd while still retaining a moderately intimate feeling (at least at ground level where my seat was located). I'd sum up the decor as a more subdued version of the Byrd Theater(yes, that's really the official site...) - more muted colors, but equally ornate and beautiful.

I think it's about time I finally purchase some of Kottke's albums, and with Weird Al coming in July, it's possible I may return to The National soon, too.

Mixwitless

So reading through USA Today's website, I found out about some other online mixtape service called "Mixwit."

This thing stinks of venture funding and dreams of monetizing.

Sure, Mixwit beat Muxtape to the punch by several weeks, at least based on each app's blog. But Muxtape has developed into a clean, easy to use system of musical discovery and serendipity, while Mixwit, with it's TOS clearly written by an expensive lawyer, is full of shine, gradients, and more Flash than you can shake a stick at.

You see, Muxtape was created as a project by a photographer and seems to have grown organically as it was picked up by the Internet cognoscenti and lauded for its clean minimalism and ease of use. Mixwit, on the other hand, has some seed funding through Y Combinator and hopes, eventually, to be a complete online media hub. Add to that all the shine and tired (also sometimes cluttered) visual design and you may start to see why I'm not as readily warming to this web app.

I think there's another fundamental difference between Mixwit and Muxtape, though, which casts the latter in a more favorable light for me. Mixwit uses music you search for online, and Muxtape uses music that you (in theory) own. This means that Mixwit doesn't have to be representative of your actual music collection - it can be just your flavor of the moment at the time. Muxtape, on the other hand, adds to the feeling of nostalgia by forcing me to peruse my personal collection and and assemble that perfect mix of songs to represent my mood, personality, or something I'm trying to tell someone.

Jazztastic

I've just assembled a new Muxtape painting a picture of my jazz collection with broad strokes.

Ladies and gentlemen, Jazztastic:

The Bad Plus - Big Eater
Astrud Gilberto - It Might As Well Be Spring
Dave Brubeck Quartet - Strange Meadow Lark
Miles Davis - Blue in Green
Taylor Barnett - What Do You Think Of Me?
David "Fuze" Fiuczynski & Rufus Cappadocia - Roxy Migraine
Mark Boling Trio - Therapetic
Vince Guaraldi & Bola Sete - Ginza
Dzihan & Kamien - Stiff Jazz
Chet Baker - You Go To My Head
Al Hibbler - This Love Of Mine
Louis Armstrong - Little Girl Blue

And for all you regulars out there, stay tuned. Interesting stuff tomorrow, I think.

A Concert Effort

This Thursday I'm going to see Leo-freaking-Kottke perform at The National. Valerie is joining me, and I'm looking forward to having my face melted, acoustic style.

Anybody that reads my site ever been to The National yet? Is it any good as a venue?

That's How You Editing

This is perhaps one of the coolest music videos I've seen in a long time. The jury's still out on the song (it's not horrible, but not amazing, either)...

[youtube https://www.youtube.com/watch?v=6kxDxLAjkO8&rel=0&color1=0x234900&color2=0x4e9e00&hl=en&w=580&h=485]
(via 37signals)

Friday Whatever

While Richmond's music scene appears to be heating up, it's kinda sad for me to see a city institution grow tepid. Maybe it's just me, but this year's lineup for Friday Cheers looks a little weak-sauce. Sure, you have perennial favorites Carbon Leaf, but the rest? Largely no-thanks. If you enjoy swilling overpriced beer and primping Fratsters® past and present, you're welcome to it. I think I'd rather use my beer money for tickets and cover charges to see more worthwhile acts.

Taylor Barnett: For Someone

Taylor Barnett Tentet playing a song at The Camel

On Monday night I attended the CD release show for my friend Taylor Barnett's new album, For Someone.

The show was fantastic and included many of the songs from the album, several new pieces, and at least one cover (a Charles Mingus tune I can't remember). This was the second time I've seen Taylor's own ensemble play - the first was his composition recital - but I dare say The Camel on W. Broad St. was a far more comfortable setting for some Jazz than the concert hall at VCU.

I purchased For Someone near the end of the show, and I've been listening to it throughout the week. I'm already a fan of jazz ranging from Duke Ellington to Miles Davis to The Bad Plus (one of my favorites), so while I was supporting my friend on one hand, I was more than happy to get both hands on a recording of his original work. As objectively as I can put this, Taylor's album is awesome.

A stand-out track for me is "What Do You Think Of Me?" which induces a mood of introspective melancholy and showcases some delicious guitar playing from the incredibly talented Trey Pollard. I'm also a huge fan of "Esther's Dance" - a raucous and fun piece that seems fit for dancing indeed. The title track, "For Someone," seems to build perpetually to a resolution that we only experience at the song's close, pulling the listener through to its gentle conclusion. I'm finding the rest of the album to be worth repeated listens as well, with fantastic work on "Bartók Blues", "Cloak and Dagger" and the rest.

Check it out samples of For Someone on DigStation where it's available for purchase as a download (including the cover art from my friend Haley Hollenbach).

Superstition on Sesame Street

This is almost seven minutes, but it's like fuel injection for your soul. Plus, the little kid waving his head around like a maniac is totally awesome.

[youtube https://www.youtube.com/watch?v=_ul7X5js1vE&hl=en&w=580&h=485]

The Melloman

I can't recall for the life of me where I originally saw this, but this gentleman built his own Mellotron from the carcasses of old Sony Walkmen. He has sound samples, and a link to a "making of" page as well.

Pigeon John on La Blogotheque

http://www.dailymotion.com/swf/x4q3t9


Patrick, Trey, this one's for you guys (assuming you didn't already know about it).  One of my favorite music websites, La Blogotheque, has a feature up on their Take Away Shows page on Pigeon John, and he was gracious enough to do four videos with them.

ploafmaster.muxtape.com

Yeah, so I'm also hitting the Muxtape bandwagon. Peep my current mix - there's no concrete theme, and I could probably stand to reorder it a little bit, but for now it's essentially my top 12 current jams.

I don't know if you can create more than one mix per email address, but if you can I'm all-up-ons. I'll try to keep things up to date, and I've linked to it in the sidebar so you can follow along (assuming that I stick to it in the first place!). Let me know what you think of my selection in the comments.

London Live

If you happen to have access to high definition television and ALSO have Mojo, you should check out London Live.

London Live is a concert series that explores what's heating up in the British music scene. Each episode consists of a few single-song performances from different acts with interviews peppered in between. It seems like a nice way to discover some new music, though that remains to be seen :-)

A-Punk

The video for the oh-so-tasty single from Vampire Weekend is as awesome as the song itself:

[youtube https://www.youtube.com/watch?v=_XC2mqcMMGQ&hl=en&w=500&h=418]

Vampire Weekend Revisited

I purchased the album from Plan 9 yesterday on my way to the butcher shoppe, and I have to say that Vampire Weekend is rocking my ears to the extreme.

Some of my favorite tracks (other than the previously mentioned "M79") include "A-Punk", a Police-meets-The Strokes piece that gets my feet shuffling for just over two minutes, and "Cape Cod Kwassa Kwassa", a song which musically sounds more Cape Town than Cape Cod. The instrumentation seems one moment spare, the next lush with strings and keys, and the vocals are clear and uplifting.

One more reason to wish I was at SXSW :-)