Ploafmaster General

Twice, now, my family has made the drive from Richmond, VA, to Wauwatosa, WI. On the way up we drive through a massive wind farm in Jasper County, IN. My jaw drops and I squeal like a little kid with wonder at these behemoths. So this summer I finally stopped on the way back and took some photos.

I’d rather have these around than coal power plants, but I caught some interesting anecdotes from a gas station clerk. He told me that if you stand near the base of these massive towers, you get nauseated because of the low-frequency resonance of the blades passing by, or something like that. I want to verify that for myself, but sounds like I should be glad I kept a healthy distance :-D

He also told me that, while the land owners get healthy payments for leasing the land, the whole character of the countryside has changed. Not because of the giant propellers themselves, however; he talked about how it used to be pitch dark at night, and you could easily see the stars. Now there were fields bursting with these turbines, each with bright red strobes to warn off aircraft. And they all seemed to flash in synchronization, creating a night full of endless flashing from black to red.

Something something no free lunch, I guess.

Why can't this movie be as good as it ought to be? Joseph Gordon-Levitt and Zooey Deschanel as the leads in an unconventional, indie rom-com? I wanna see that. And I did for a long time, keeping this movie in my watch list for years after its release, never quite getting a chance to watch it, until this afternoon. The problem is that I've heard rumblings about the unevenness of (500) Days of Summer in the intervening years, and while I've tried not to let writers and friends prematurely influence my opinion, I couldn't help but worry.

And for good reason. Not since Little Miss Sunshine have I seen an movie so concerned with checking off boxes on a list of indie cinema attributes. Greeting card writer that's also an aspiring architect? Check. Non-stop soundtrack that makes the whole enterprise feel like a feature length music video with dialog? Check. Quirky friends? Check. Scads of peculiar visual flourishes? Check. The whole movie felt expected.

Now I understand this was the first feature length work for the director and his pair of screenwriters, and boy does it show. Camera shots and movements that seem ill chosen for the moment, or perhaps for to get a cool still for a poster. Dialog and themes that telegraph character behavior. I didn't hate this movie, but I wish, perhaps, it had been created by some folks with either more under their proverbial belts, or more inherent talent for visual storytelling.

Oh yeah - and JGL's character? Almost completely unlikeable to me. It's hard for me to root for our hero when he's obsessive and jerky so frequently throughout the running time. Still, it's hard to deny some solid performances by the leads (and almost exclusively the leads). Along with an interesting take on the genre, they saved the movie for me quite a bit.

3/5

Tonight I finally got around to watching All is Lost. This is the second feature from writer and director J. C. Chandor (a Jersey boy!), and whoa Nelly, is it fantastic. I can't remember the last time I watched a movie so purely concerned with visual storytelling - so fully taking advantage of the medium. And Robert Redford proved that he's still one of the best with a nearly wordless performance none the less full of emotional intensity.

5/5