Late Crapitalism

It never takes long for white folks and business to squeeze themselves in the middle of black suffering and response, whether it’s to co-opt the tone-direction of demonstrations, or to cash in on public sentiment.

But to see photos of Nationwide and State Farm setting up tents by the Lee Monument today? That’s surely one of the most crass displays of corporate opportunism I’ve seen in years.

Big ol’ Slides

Never not going to love shooting Fuji Provia 100F in medium format. As much as Fujifilm has reduced its film portfolio in the last decade or so, I’m continually surprised to see this one stick around.

I’m beguiled by the contrast, and the way the color rendition seems to be at once lifelike and saturated. It’s no Kodachrome (RIP), but it sure is a beaut.

I’m still working on putting some Kodak E100 mileage on my RZ67, and I like how it looks so far. But for the time being Provia remains at the top of my color film list.

ISO 400 Party

I learned about FP4 Party from Jess Hobbs’ YouTube channel, and some friends of mine and I started talking about it. Not all of us had FP4 on hand, and March had already just started. But we reworked it to suit our circumstances and decided to make it about whatever ISO 400 black & white film we each had in our respective inventories.

First week was shooting as much film as we could, second week was for processing, and the rest of the month for reviewing our results. I got my 3 process rolls of medium format film in the mail yesterday and got to scanning. These are the first results!

All of my 3 rolls were 10-year-expired Fujifilm Neopan 400 in 120 format, shot on my Mamiya RZ67. When Fuji discontinued the film stock, I bought a ton of rolls to keep in the freezer so I could extend the magic a little longer. I am SHOCKED at how beautiful this film looks after so many years. It reminds me why I loved it so much in the first place. I can’t wait to scan the rest of the film and see what I got!

Herb Alpert for my hooligans in Brooklyn

I was spacing out in my dentist’s office lobby the other day unconsciously bobbing my head to the quiet assortment of songs playing over the sound system when a very familiar minor 7th chord shook me out of my reverie:

Jump to around 3:09-ish if the video doesn’t start there.

Yeah, that’s right, turns out this is the famous bit sampled (and pitched down) in Biggie’s “Hypnotize”. Maybe I’m one of like, 5 people who didn’t know that, but it was fun connecting the sampling dots between a jazzy hit from the 70s and a modern hip hop classic.

Rumors of Samsung

Kehinde Wiley's monumental statue, "Rumors of War" standing in its temporary Times Square location
Valerie and I were lucky enough to catch Kehinde Wiley’s “Rumors of War” in Times Square back in October before it came to its permanent home in our very own RVA.

Shot on expired (discontinued) Fuji Neopan 400 in 120, pushed 2 stops to ISO 1600.

The Bridge

Valerie and I took a weekend in NYC this past October in celebration of our 15th wedding anniversary. I grew up in the shadow of New York, but despite uncountable visits, I’d never walked across the Brooklyn Bridge until this visit. It was worth it, and an absolute treat. These photos were shot on expired (and discontinued) Fuji Neopan 400 film in medium format size on my Hasselblad 500 C/M.